Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent working on layering 2 films, April 14th, 2014Jean-Pierre Sergent cleaning the frames with the Karcher, April 2014Jean-Pierre Sergent cleaning the frames with the Karcher, April 2014Jean-Pierre Sergent cleaning the frames with the Karcher, April 2014Jean-Pierre Sergent working on the films for he show in Ornans, France: LE DÉSIR, LA MATRICE, LA GROTTE & LE LOTUS BLANCJean-Pierre Sergent cleaning the frames with the Karcher, April 2014Jean-Pierre Sergent coating the silk screen frames, April 24th, 2014Jean-Pierre Sergent coating the silk screen frames, April 24th, 2014Jean-Pierre Sergent coating the silk screen frames, April 24th, 2014Jean-Pierre Sergent coating the silk screen frames, April 24th, 2014Jean-Pierre Sergent coating the silk screen frames, April 24th, 2014Jean-Pierre Sergent coating the silk screen frames, April 24th, 2014Jean-Pierre Sergent coating the silk screen frames, April 24th, 2014Jean-Pierre Sergent coating the silk screen frames, April 24th, 2014Jean-Pierre Sergent coating the silk screen frames, April 24th, 2014Jean-Pierre Sergent coating the silk screen frames, April 24th, 2014Jean-Pierre Sergent coating the silk screen frames, April 24th, 2014Jean-Pierre Sergent coating the silk screen frames, April 24th, 2014Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014Jean-Pierre Sergent exposing the silk screen frames, April 24th, 2014Jean-Pierre Sergent blocking the screens, April 2014Jean-Pierre Sergent blocking the screens, April 2014Jean-Pierre Sergent blocking the screens, April 2014Jean-Pierre Sergent blocking the screens, April 2014Jean-Pierre Sergent blocking the screens, April 2014Jean-Pierre Sergent blocking the screens, April 2014Jean-Pierre Sergent blocking the screens, April 2014Jean-Pierre Sergent blocking the screens, April 2014Jean-Pierre Sergent blocking the screens, April 2014Jean-Pierre Sergent blocking the screens, April 2014Jean-Pierre Sergent blocking the screens, April 2014Jean-Pierre Sergent blocking the screens, April 2014Jean-Pierre Sergent blocking the screens, April 2014Jean-Pierre Sergent studio's in april 2014Jean-Pierre Sergent studio's in april 2014Jean-Pierre Sergent studio's in april 2014Jean-Pierre Sergent silkscreening the small paper series : Le désir, la matrice, la grotte et le lotus blanc, Spring 2014Jean-Pierre Sergent silkscreening the small paper series : Le désir, la matrice, la grotte et le lotus blanc, Spring 2014Jean-Pierre Sergent silkscreening the small paper series : Le désir, la matrice, la grotte et le lotus blanc, Spring 2014Jean-Pierre Sergent silkscreening the small paper series : Le désir, la matrice, la grotte et le lotus blanc, Spring 2014Jean-Pierre Sergent silkscreening the small paper series : Le désir, la matrice, la grotte et le lotus blanc, Spring 2014Jean-Pierre Sergent silkscreening the small paper series : Le désir, la matrice, la grotte et le lotus blanc, Spring 2014Jean-Pierre Sergent silkscreening the small paper series : Le désir, la matrice, la grotte et le lotus blanc, Spring 2014Jean-Pierre Sergent silkscreening the small paper series : Le désir, la matrice, la grotte et le lotus blanc, Spring 2014Jean-Pierre Sergent silkscreening the small paper series : Le désir, la matrice, la grotte et le lotus blanc, Spring 2014Jean-Pierre Sergent silkscreening the small paper series : Le désir, la matrice, la grotte et le lotus blanc, Spring 2014Jean-Pierre Sergent silkscreening the small paper series : Le désir, la matrice, la grotte et le lotus blanc, Spring 2014The rolls of the BFK Rives paper. Besançon artist’s studio, August 2015.View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artist’s studio, August 2015.View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artist’s studio, August 2015.View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artist’s studio, August 2015.View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artist’s studio, August 2015.View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artist’s studio, August 2015.View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artist’s studio, August 2015.View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artist’s studio, August 2015.View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artist’s studio, August 2015.View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artist’s studio, August 2015.View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artist’s studio, August 2015.View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artist’s studio, August 2015.View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artist’s studio, August 2015.View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artist’s studio, August 2015.View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artist’s studio, August 2015.View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artist’s studio, August 2015.View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artist’s studio, August 2015.View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artist’s studio, August 2015.View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artist’s studio, August 2015.View of Jean-Pierre Sergent cutting in the rolls of the BFK Rives paper into Large Papers (1.22 x 1.07 m) & Half Papers (0.61 x 1.07 m), with his assitant Christine Chatelet. Besançon artist’s studio, August 2015.
